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Same thing with The Unbearable Lightness of Being. I only read the book, but I know the film got good ratings. You see Jane Austen type adaptations done with some success. Although I don't know that many were in the last 20 years. |
Fantastic Mr. Fox was pretty great.
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I didn't know Dicaprio made bad movies
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Rap is bad any time. But especially out of context. |
DiCaprio seems like he'd be perfect for the role. He looks like what you'd imagine Gatsby would look like, and he has the charisma to pull it off. I just don't know that you can put the novel on screen effectively. I'm not even sure why you need to. The book is short. You could probably read half of it in the time it took to watch the film.
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My 19 year old niece really liked Gatsby,that alone makes me think I won't be seeing it.
Also,add another for liking The Beach,not by far a favorite but I still liked it. |
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That book is a great book.
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This is the movie that officially jumps the shark for 3D. It better make its money this weekend (I doubt it will), because Star Trek is going to take over all of those 3D screens next week.
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There are so few real 3D movies. Star Trek is converted. Save your money. |
it was one of those movies only smart people will like. I thought it was fantastic.
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It wasn't the flaming shitpile I expected it to be. Pretty average movie. Heavy-handed as **** though. Leo was pretty awesome at least.
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Shawn Edwards loved it. That is enough for me to know to avoid it.
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But I really liked the movie. Many have criticized Baz for his MTV-style directing. This, to me, was way more MET Opera than MTV. Bold choices, and I could see why people wouldn't like/respond well to them. But it was consistent and I really had a blast watching the thing. |
I liked it.....but I thought luhrmans Romeo and Juliet was brilliant. Different strokes for different folks I guess.
I also liked moulin rouge too....but Australia was awfully boring |
150 million dollar bomb. The reviews were horrendous.
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My daughter saw it and was pretty meh about it. Even she, a junior in high school, thought the rap music was way out of place for the movie. Definitely didn't get a recommendation from her.
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I watched this last night, and I still am not sure how I feel about it. It is obviously heavily stylized, and with that being said, calling out the movie for using modern hip hop is more or less pointless. This isn't marketed as an authentic representation of NYC in the 20s. If you went into this film without any knowledge of the director and his previous films (especially Romeo and Juliet), then I feel you have no room to argue about his style of filming. I liked how he represented his world for the most part, but there were a lot of things I really disliked. Several times throughout the film there was some terrible CGI work done. I am confused by it because there was some good work as well, and so I do not know if it was done for a purpose or not (poor resolution of certain characters such as the black trumpeter when it featured him playing - but only in some shots and not others). This may just be me missing something, but it bothered me. There were also the obviously awful green screen shots, but again that may just be my taste (like when they are in front of JG's house going up the monstrous stairs.
Overall I liked the performances, but I just don't know how I feel about the rest I suppose. |
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Going to see it tonight, non-3D.
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My sister absolute loved it and said true to the book. The rap was a non factor and wasn't placed in the wrong setting in terms of putting it during an emotional scene.
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We both enjoyed the movie. I haven't gotten around to reading the book yet, so I can't compare the movie to the literature.
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I went to see this yesterday and absolutely loved it.
Everything from the story, to the cinematography, to the score. Best film I've seen in a while. |
Just saw it. Unsurprised how it was shot as its a Baz Lurhmann joint. I thought it was well acted and the plot is spot on about how Gatsby embodies the American Dream.. but only if you knew that going in.
The music I felt was Lurhmann's attempt to "shock" us an audience the same way people of the 1920s would be shocked with jazz music and attitudes. |
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