Quote:
Originally Posted by Jenson71
I think those are two of the most prominent examples of two similar eras/styles of film that stressed realism -- Italian Neorealism and the French New Wave.
The Italian neorealists were pretty serious people, not entertainers, although The Bicycle Thief certainly can be seen as entertaining. I also feel it's better than 400 Blows, but 400 Blows is remarkable. Much better than Jules and Jim, imo.
I want to see more Italian neorealism. I think it's truly worthy of admiration. It really inspired a great deal, not really about what movies should look like, but what they should be saying.
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As I write this, knowing you, this is probably an epically stupid question, but have you seen Scorsese's documentary/commentary where he discusses keystones in Italian postwar cinema? It was like 4 or 6 hours long and aired on IFC or TCM, IIRC.
EDIT - titled
Il mio viaggio in Italia