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I don't get the hoopla. Yes, it's got the musical construction of a Twinkie. Yes, the lyrics could've been written by a chimp on Ridalin. Yes, the chord progression makes the five notes in "Close Encounters of the Third Kind" sound like Beethoven. But, yes, it's also no different from the 5,000 pop songs that have been written in the past 30 years. I can turn on the "Today's Music" channel on my local radio and hear songs as equally shallow in both music and lyrics. It's her target audience, fer crissakes. I'm not expecting her to sound like Metallica reborn, or the second coming of the Brian Setzer Orchestra, or anything but what she is: a pop-music teen-star with a bit of a country edge.
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