Quote:
Originally Posted by GoWalrus
I'd love to hear a SW score by Howard Shore.
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He wouldn't be a bad choice, either.
Here the thing: Who ever is hired is going to be walking a tightrope between helping Abrams, the director, achieve his vision, while making sure that he stays "true" to the original trilogy and delivers a score that Disney and Kathleen Kennedy will approve.
Even though that composer will be paid $4 million dollars, I'm not envious of those challenges.