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08-17-2013, 11:10 PM | #61 |
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08-18-2013, 08:32 AM | #62 |
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TV is getting good at matching music to intended emotional beats.
But it's almost becoming overdone, with an industry of new music acts almost entirely catering to TV.
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08-18-2013, 10:21 AM | #63 |
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08-18-2013, 11:54 AM | #64 |
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For TV...House always had good soundtracks to set the mood for different episodes.
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08-18-2013, 12:31 PM | #65 |
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08-18-2013, 12:35 PM | #66 | |
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Quote:
This "cottage" industry of music supervision has basically come into being due to less jobs and possibilities for talented people working in the music industry. Instead of doing A&R, signing and developing bands, music supers are listening to music and placing it in TV shows and film. I can't tell you how many Berkelee grad's I've worked with in the past year that know every song ever recorded from about 1948 to 2013. It's pretty amazing. |
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08-18-2013, 12:36 PM | #67 |
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08-18-2013, 12:37 PM | #68 |
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08-18-2013, 02:31 PM | #69 |
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No I was referring to song placement...use of music that was not written for that particular TV show...REM "Everybody Hurts"...Warren Zevon "Keep Me In Your Heart"...Curtis Mayfield "Superfly"...etc.
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08-18-2013, 02:44 PM | #70 |
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08-18-2013, 07:24 PM | #71 | |
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And yes, Massive Attack is amazing.
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08-18-2013, 07:25 PM | #72 |
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08-18-2013, 07:42 PM | #73 |
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The new Dallas used a few Johnny Cash songs in scenes that fit perfect.
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08-18-2013, 07:50 PM | #74 |
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08-18-2013, 07:55 PM | #75 |
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