Reaper's Favorite Albums of 2011

[Reaper16]

Here it is, y'all. The highly-anticipated annual list of my favorite albums of the year. 2011 was an interesting year in music. There wasn't a single album that I personally rated 9/10. No great albums. But there were a ton of albums that I rated 8.5/10 to 7.5/10. Lots and lots and lots of really good albums. I struggled with the ordering of these albums; it seemed arbitrary at times. So that's why in lieu of doing honorable mentions this year I'm just going to do an ordered top 50. That's right, these are my favorite 50 albums of the year.

As always, this isn't meaning to be an objective list of best albums of the year. While I listen to over 300 new albums each year, I still don't listen to enough to feel comfortable making objective claims about quality. Do you think I snubbed some really great dubstep album? Did I miss out on a perfect bluegrass album? It's very likely that I did, but this is a list of my personal favorites. That's why you're going to see lots of metal albums on the list. It's also why you're going to see as many, if not more, hip-hop albums on this list. 2011 was a stupendous year for rap music.

Anyway, I'm going to be rolling these out over the next couple of days or so as I write up little paragraphs for each album in-between working on other stuff.

50.) Tune-Yards - w h o k i l l
49.) White Willow - Terminal Twilight
48.) Blut Aus Nord - 777 Sects
47.) Blut Aus Nord - 777 The Desanctification
46.) La Dispute - Wildlife
45.) Childish Gambino - Camp
44.) Wolves in the Throne Room - Celestial Lineage
43.) Boris - New Album
42.) Antediluvian - Through the Cervix of Hawaah
41.) Fen - Epoch
40.) Kendrick Lamar - Section.80
39.) M83 - Hurry Up, We're Dreaming
38.) Florence + the Machine - Ceremonials
37.) Wild Flag - Wild Flag
36.) Opeth - Heritage
35.) The Roots - Undun
34.) Vektor - Outer Isolation
33.) Rudra - Brahmavidya: Immortal I
32.) Tech N9ne - All 6s & 7s
31.) Lady GaGa - Born This Way
30.) Death Grips - ExMilitary
29.) Leprous - Bilateral
28.) Mr. Mother****in eXquire - Lost in Translation
27.) ASAP Rocky - LiveLoveA$ap
26.) Hades Archer - For the Diabolical Ages
25.) Cities Aviv - Digital Lows
24.) Big KRIT - Return of 4Eva
23.) Absu - Abzu
22.) Disma - Towards the Megalith
21.) Cunninglynguists - Oneirology
20.) Bon Iver - Bon Iver
19.) Trap Them - Darker Handcraft
18.) Das Racist - Relax
17.) Steven Wilson - Grace for Drowning
16.) Necros Christos - Doom of the Occult
15.) Ulcerate - The Destroyers of All
14.) Cormorant - Dwellings
13.) Symphony X - Iconoclast
12.) Danny Brown - XXX
11.) St. Vincent - Strange Mercy
10.) Hell - Human Remains
09.) Wolverine - Communication Lost
08.) G-Side - Island
07.) Dessa - Castor, the Twin
06.) TV on the Radio - Nine Types of Light
05.) Unexpect - Fables of the Sleepless Empire
04.) Sims - Bad Time Zoo
03.) Doomtree - No Kings
02.) G-Side - The One... Cohesive
01.) Astronautalis - This Is Our Science

Thanks for reading and listening. Please put up your own lists in this thread if you'd like, or talk about other year-end lists, etc. Just like you guys have done for the past few years that I've done this.

Per QuikSsurfer's request, here are links to previous year's list threads: http://www.chiefsplanet.com/BB/showthread.php?t=238651 (2010); http://www.chiefsplanet.com/BB/showthread.php?t=219784 (2009) (I would change the order of the top 15 around if I were to re-do this one); http://www.chiefsplanet.com/BB/showthread.php?t=202037 (2008).

[QuikSsurfer]

Link your past annual threads over the years in the OP

[Reaper16]

Originally Posted by QuikSsurfer

Link your past annual threads over the years in the OP

Good idea. I'll have those linked later on this afternoon.

[Reaper16]

50.) Tune-Yards – w h o k i l l


I’m a big fan of pop music that takes risks, and this second album from Tune-Yards (aka Merril Garbus) certainly takes risks. It’s pop-rock constructed of sound loops: African rhythms and ukulele outbursts and guitars that fall and crumble apart like blocks from a game of Jenga. On top of the layered instrumentation is Garbus’ own, eclectic voice. She has an expressive range that sorta’ sounds like Janis Joplin meets Robert Plant meets that dude from Dirty Projectors. And that’s one of the flaws of this album – it is basically Dirty Projectors worship. If you can get past that, and if you can get past the grating & stupid lyrics, then this is one of the most ambitious and fun pop albums of the year.






49.) White Willow – Terminal Twilight


I’m a sucker for symphonic prog, especially bands who are fronted by women, and that’s what White Willow gives me. Nothing particularly original outside of a general heaviness (created not by guitar tone but by mood and drums and prevalence of vocal lines). It’s melodic and pleasant and not very obtrusive, which makes it one of my top albums this year to do work during. The best part about this album is how dynamic the synthesizers are. There’s fat, warm synth sounds and cool, tinny synth sounds, and crackling, bottom-heavy synth sounds all on the same track, interplaying with each other. The clean & clear lead vocals slice through the drums and synth. It’s a very pretty record. A bit safe, but certainly enjoyable.

[Baby Lee]

Only two albums I've listened to in depth this year [podcasts are taking over my life]

Jay-Z and Kanye - Watch the Throne
Adele '21'

Both are impeccible, but that buzz is why I listened to them anyways.

Need to track down TVotR's newest sometime soon.

[Reaper16]

47.) Blut Aus Nord – 777 Sects
48.) Blut Aus Nord - 777 The Desanctification

These are basically the same album. Desanctification is a direct sequel to Sects, and they play right into each other. A third and final volume will come out in 2012. So together, they take up spots on the list right next to each other. Blut Aus Nord is a French progressive metal outfit. In 2011 they have taken to numerology. The number 7 is found all over the place on this album, especially in time signatures. The music here is very hard to get your head around. It is so surprising that it jars you and leaves you sorta’ brain-paralyzed as it continues to pummel you. The sound is CRUSHING. Walls of drums and guitars bear down on you like you’re in the trash compactor from Star Wars. This album is incredibly nuanced, despite each song blending into the next and despite there being no real standout moments. If this were a best albums list then these two albums would place better. But this is my favorites list, and fact is that I don’t enjoy listening to these albums all that much. They are bewildering and impressive, but hard to love.

[Reaper16]

46.) La Dispute - Wildlife
La Dispute are a post-hardcore band who are sort of reclaiming the original intent of the emo movement. I’m talking about way back when emo was first applied to a subgenre of hardcore punk. Las Dispute’s songs scoff at conventional song structure; there are basically no choruses on the album at all. Instead, each song is a carefully paced narrative, with the importance placed on the lyrics and vocal performance. I don’t know the name of La Dispute’s vocalist, but he has one of the most sincere and affecting voices I’ve heard out of this scene. His lyrics are always drenched with emotion, sure, but it is specifically his delivery that moves his audience. And you will be moved. Just listen to the song I’ve linked to, album standout “King Park,” which tells the story of innocent lives taken by stray bullets. When, during the song’s crushing climax, the vocalist gives a repeated cry of “Will I still get into Heaven if I kill myself?” you will feel desperation and fear right alongside the character. This album is one of the most genuinely moving emotional experiences I’ve had listening to music this year.

[Molitoth]

Originally Posted by Reaper16

46.) La Dispute - Wildlife
La Dispute are a post-hardcore band who are sort of reclaiming the original intent of the emo movement. I’m talking about way back when emo was first applied to a subgenre of hardcore punk. Las Dispute’s songs scoff at conventional song structure; there are basically no choruses on the album at all. Instead, each song is a carefully paced narrative, with the importance placed on the lyrics and vocal performance. I don’t know the name of La Dispute’s vocalist, but he has one of the most sincere and affecting voices I’ve heard out of this scene. His lyrics are always drenched with emotion, sure, but it is specifically his delivery that moves his audience. And you will be moved. Just listen to the song I’ve linked to, album standout “King Park,” which tells the story of innocent lives taken by stray bullets. When, during the song’s crushing climax, the vocalist gives a repeated cry of “Will I still get into Heaven if I kill myself?” you will feel desperation and fear right alongside the character. This album is one of the most genuinely moving emotional experiences I’ve had listening to music this year.

Wow, just wow. I've NEVER heard vocals like that before. I dislike most Post-Hardcore because typically the vocalist is just screaming his head off being a reerun. I know because I've had the unfortunate circumstances of playing aside a lot of these bands in the Kansas City area when it was all the rage a few years back.

This kid reminds me a lot of Zack De la Rocka. He has a terrifying, yet mesmerizing voice... and an extremely odd way about going at vocals.

Instead of finding words that rhyme, or setting up certain structures... he just reads it as it is on paper and lets his emotion of tone do the talking. As a vocalist myself, I find this method easy and hard to do at the same time.

Lyric/harmonies/chorus structures are all a part of the writing process, and a lot of times make writing a lot harder than just jotting down what your thinking on a piece of paper and calling it good.
It's also easy to over-critique lyrics and change/mash them up multiple times until you feel something makes more sense/ sticks to the storyline / or removing easy to use words such as "I, we, you, them, etc". SO in turn, makes the process more difficult and time consuming.

This kid bypasses some of the most tedius things in vocal writing and just seems to sing word for word what he's reading... the thing is, he presents PASSION about his story, and as a listener... you WANT to hear how it ends. Which makes the last line of the song fucking awesome. Because he didn't want to see how it ends.

As I listened, I thought about how awesome this vocalist could be if he went with a more traditional way of writing vocals, but at the same I loved what he did because I respect what it takes to do, and it is something that is new to me.

Although I'm still skeptical about listening to an entire album of this style.

Thanks for the link reaper.

[Reaper16]

Originally Posted by Molitoth

Wow, just wow. I've NEVER heard vocals like that before. I dislike most Post-Hardcore because typically the vocalist is just screaming his head off being a reerun. I know because I've had the unfortunate circumstances of playing aside a lot of these bands in the Kansas City area when it was all the rage a few years back.

This kid reminds me a lot of Zack De la Rocka. He has a terrifying, yet mesmerizing voice... and an extremely odd way about going at vocals.

Instead of finding words that rhyme, or setting up certain structures... he just reads it as it is on paper and lets his emotion of tone do the talking. As a vocalist myself, I find this method easy and hard to do at the same time.

Lyric/harmonies/chorus structures are all a part of the writing process, and a lot of times make writing a lot harder than just jotting down what your thinking on a piece of paper and calling it good.
It's also easy to over-critique lyrics and change/mash them up multiple times until you feel something makes more sense/ sticks to the storyline / or removing easy to use words such as "I, we, you, them, etc". SO in turn, makes the process more difficult and time consuming.

This kid bypasses some of the most tedius things in vocal writing and just seems to sing word for word what he's reading... the thing is, he presents PASSION about his story, and as a listener... you WANT to hear how it ends. Which makes the last line of the song fucking awesome. Because he didn't want to see how it ends.

As I listened, I thought about how awesome this vocalist could be if he went with a more traditional way of writing vocals, but at the same I loved what he did because I respect what it takes to do, and it is something that is new to me.

Although I'm still skeptical about listening to an entire album of this style.

Thanks for the link reaper.

I agree; his vocal performance is cheating in some respects, as it is almost inherently un-musical. But he gets away with it because of how sincere and effective his passionate delivery is. That un-musical quality is what makes Wildlife such an interesting album to listen to.

[NewChief]

Originally Posted by Reaper16

I agree; his vocal performance is cheating in some respects, as it is almost inherently un-musical. But he gets away with it because of how sincere and effective his passionate delivery is. That un-musical quality is what makes Wildlife such an interesting album to listen to.

Reminds me of The Hold Steady of hardcore.

[Reaper16]

45.) Childish Gambino - Camp

You all know the story: comedian Donald Glover proves that he can bite Weezy and Yeezy’s flows while adding his own numerous punchlines and falsetto hooks. You also may have seen the backlash to this album in publications like Pitchfork (which gave it a 1.6, mostly because it finds fault with Gambino’s stance as a kid who doesn’t fit in and has the audacity to make music about his insecurities. In a year in which Drake received tons of commercial and critical success for his “confessional rap,” Childish Gambino should receive similar praise. While Drake’s musical personal has always seemed like a put-on to me, Gambino feels very true. It’s the nature of his flaws – deep racial insecurities & a sexualization/objectification of women that stems from adolescent rejection – that makes him compelling. He isn’t glorifying these things so much as he’s working through them. Which makes this album a valuable piece of art. Anyway, the hooks on this album border on saccharine; there’s a definite cheese factor to much of Gambino’s treatment of things. But sometimes it all works in his favor, such as in the closing song of the album – a moving dramatic monologue of a bus ride home from summer camp one night. Other tracks are filled with the most audacious and clever hashtag rap punchlines and some very solid technical abilities on display. More than anything, while Camp isn’t a great album, it’s a super fun album to listen to.

[Reaper16]

44.) Wolves in the Throne Room – Celestial Lineage


If you’ve ever heard an album from Pacific Northwest black metal legends Wolves in the Throne Room then you know what to expect here. That’s actually why this album ranks so low for me; I feel like I’ve heard many aspects of this album in their previous work. This isn’t mailed in by any means, just not as big a progression as I like to see from bands. If this is your first Wolves in the Throne Room album, then you’re in for a treat. They play a practically patented blend of traditional black metal rifbundle of stickse with more texture and mood based guitar playing. Lots and lots of folk influence, both in instrumentation and in song structure for the shorter tracks. This album reminds me of deer hunting, actually. It’s very much evoking an atmosphere of natural surroundings. It’s a very solid album, especially if you’ve never heard them before.

[kc rush]

Originally Posted by Reaper16

They play a practically patented blend of traditional black metal rifpillowbitere with more texture and mood based guitar playing.

"rifpillowbitere" is the best.

[KCUnited]

Good call on Antediluvian, very sick band indeed.

[Reaper16]

43.) Boris – New Album


Japanese titans Boris released three new albums in 2011. Unfortunately, two of them were uneven, unbalanced, and at times forgettable. Their third (and least-anticipated) is literally titled New Album, and it sees Boris trying their hand at a new sound: J-Pop. Specifically, this album is composed of re-workings of other Boris songs, only arranged through a J-Pop meets pop-rock sound and structure. “Flare” steamrolls ahead with a chorus as catchy as the pop guitars are furious; “Black Original” takes cues from Dir en Grey-style visual kei; “Looprider” tries to achieve a sort of heaviness through shine and gloss. It’s all very unusual and very fun.