Who ya calen old?
I'm only 41!! :cuss:

Enjoy them my friend in Silver and Black! :)

this is a cool story

And what instrument, aside from your pecker, do YOU play, Mozart?

That's a spoon.

You got the bucks; get your SONOR on:

http://i304.photobucket.com/albums/n...atinumFade.jpg


Ah, memories. My first set was some no name, Rodgers wannabe in blue sparkle. The bass pedal looked like it was made from a set of old, metal roller skates from the 50's, and the rest of the hardware would probably haven fallen apart under the "heavy onslaught" of Lawrence Welk's drummer. :doh!: Sadness.
The Cymbals? Camber II Garbage Lid Series! :thumb:

My friend Matt had a set of Sonor Phonic Plus with like 10 toms, and he came over, saw my shit and, "You need some new drums; you can't polish a turd".

LMAO


Oh yeah; the "Cram Room". Bass player bumping in to your shit every two minutes, guitar player either sounds like mud or has the cabinet 2ft from your ears and dissolving your brain with a high-mids assault, and a singer bitching about how he can't hear himself.


Agreed. Great Lady.

I played with these ass clown's for about 4 or 5 months( I was 21, ready to hit the road and get paid for doing so ):

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And this is the guy I replaced:

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Exactly the came color Darth, only mine will say Pearl :D
My old kit was a limited edition double kick set of rare Maple Pearl Exports from back in the 80's
I had 4 rack toms 8,10,12,13
twin floor toms 16/18
twin 24 Kicks
The Rodgers Snare
And a Full set of Zildjian K's
The Kit alone I today would have been worth around $9-10K with all my hardware, gong, and accessories.
Dumb bitch sold it all for $500, dude missed taking the snare, and she got another $100 for it, so I was told a few weeks after my divorce:cuss:

I might vaguely recall some special edition exports, but that was a long while back.

I like playing on the big kits, but I never wanted to cart one around. I started with a five-piece, and then stripped it down to a four with a double pedal. I like it because it forces you to "up" your technique. The first time I watched a really good jazz drummer getting all of these sounds and vocabulary from four drums, I knew that everything else was just coloration and icing for the cake. I'd hate to be Bozzio's roadie these days!:doh!:

I do have a cymbal jones though; 4 crashes, two pair of high hats, 2 china's, a splash and a ride.
I like Paiste the best. If you put your cymbals together as a set in terms of the sounds complimenting each other, and one of them breaks, you can order the same model and it will sound 95% like the one you just lost.

Anyway, drums are cool.

Neil Peart.

Is a freak of ****ing nature who singel handedly destroyed 2 preivious generations of drummers, and spawned amazing ofspring like Virgel Donati (sp).
The man is not from this planet

Saw Virgil for a clinique here in St.John.s a few years back. Just after his stint with Steve Vai.
The dude can play a 13/8 with his left foot and hand the same time he'll play a 21/7 with his right!
My drum instructer taped the show, i'm glad, because during the free jam, he litterly blew my ****en mind
I was lost about the second paradiddle excersize into the program.
He'll take paradiddles, and just multiply them to like 8diddles etc.

Pain in the ass for sure, but I've always played a large stage kit.
For the same reason I stopped playing lead.
I'm scared to death on stage, but love it.
I just love playing live.
I can hide behind my big kit.
When I played lead, I always had the stage spot right in my face so I couldn't see anything.
And after a year I switched to drums because I couldn't over come the stage fright or mostly just being out front.
I was great right untill I sawe a crowd, then locked up.
To this day I still have a paper bag behind my kit to toss my cookies in a split second before the first song, then i'm good to go
And I've been on stage for almost 30 years now.

I know about smaller kits, I use a 5 pc for re-hersal/practice, add the rest to it for the show.
The smaller kit forces your chops and makes you stay more focused on the groove.
By the time I drag out both kit's and stage em' up, even with memory locks and a rack it's still about a 45min deal.
I love my symbals. If it's somthing bronz and make a sound, gimme!
9 of them, in my arsonal now. pertty much the whole Sabian B8 line.
The New K Zildjins will come with the Pearls
I run 2 Peavey kits with 2 of the tom's tuned higher than the other matching ones giving me a "fake" 4 tom set up, plus another smaller one I ordered online.

Winner, winner chicken dinner...

I've never experienced stage fright. I think it comes from knowing that I know what I'm doing, and that I've rehearsed enough to just focus on the experience as opposed to making sure I don't make mistakes.

I love to mix it up; we had one song where the front man took over the kit, and I went out front to play percussion. I love having that crowd right up in my face; there's nothing like it.
And I've discovered that if your going to be out front, you need to

A) Know what you look like when your performing so you can minimize the goofy shit( I wear shades up front always because my eyes can make what will be a sometimes intense delivery look like Rod Morgenstein on cough syrup. If you've seen any of Rod's instructional videos, you'll know exactly what I'm talking about ).

And,

B) Play with absolute authority. That ****ing stage belongs to YOU. It's your world, and everybody else that ain't on it is just along for the ride.

And as to the kits, I can tell you that when your on tour and schlepping your own shit; a lot of places barely had room for my four piece.

And a 45 minute setup can be about 35 minutes too long in some cases.

Keep on Rockin bud!

Each to their own DC.
As far as playing with authority, I wouldn't play a song on stage if I couldn't own it period!
Even imporved.
There's things in life people can deal with, a stage is a tough one for me. I love the music, but for some reaqson fear the crowd.
Much like some people fear the dak, mice, etc.
Not really a phobia, if it were I wouldn't have played semi-pro/pro back in my teens and 20's touring with and opening for most of the maor/about to be major acts that rolled through NS, NB, PEI between 82-89'
IE: Helix, Headpins, Honeymoon Suite, Jeff Healey, Trooper, Prism, Brian Adems, Lee Arron, Kim Mitchell,Killer Dwarfs, just to name a few
And I certianly wouldn't be willing to go back to playing once a month
I got past the phobia, still have the fear.
But I manage it, I toss my cookies and i'm good for the rest of the night.
All the guy's I've played with over the years have tried different "cures"
Half a drink, half a joint, compleatly wrecked.
Don't matter if I'm loaded or stright, I hurl, I play great!s to laugh at me, then hit the first song
The band always manage

I've refused to play if I couldn't have ALL my gear period!
Once I agreed to remove as many items from the stage as the twin guitar players would agree to lose strings, I have MY set up, and if I'm playing the night, I set my WHOLE ****ing kit up
There aint a Bar in the Maritimes i didn't hit at one time or another, some were bigger than others, and a lot of times I was balancing on teh edge of the rear of the stage r pushed against a wall, but I had my full kit.