Quote:
Originally Posted by bowener
The ending was a cop out. NP was too weak and couldn't kill off his characters. Rust should have died. If he had said all of his light/darkness shit (which is a straight rip off of Allen Moore's Top 10 comics - as in down to the line) while dying on Marty's lap, it would have been so much stronger of an ending. Instead we get the typical "happy ending" bullshit that goes against the entire tone and style of the show.
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I'm not sure how Cohle immediately dying after his self-realization would have made the show/ending any better. It just sounds like you had an idea in your mind of what this show was and an expectation of how it should end and it didn't turn out to be anything like what you thought it would be. That isn't on the writer, he stayed true to his storytelling.
Quote:
Originally Posted by Nic Pizzolatto
This is a story that began with its ending in mind, that Cohle would be articulating, without sentimentality or illusion, an actual kind of optimism. That line, you ask me, the light's winning, that was one of the key pieces of dialogue that existed at the very beginning of the series' conception. For me as a storyteller, I want to follow the characters and the story through what they organically demand. And it would have been the easiest thing in the world to kill one or both of these guys. I even had an idea where something more mysterious happened to them, where they vanished into the unknown and Gilbough and Papania had to clean up the mess and nobody knows what happens to them. Or it could have gone full blown supernatural. But I think both of those things would have been easy, and they would have denied the sort of realist questions the show had been asking all along. To retreat to the supernatural, or to take the easy dramatic route of killing a character in order to achieve an emotional response from the audience, I thought would have been a disservice to the story. What was more interesting to me is that both these men are left in a place of deliverance, a place where even Cohle might be able to acknowledge the possibility of grace in the world.
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