Quote:
Originally Posted by Baby Lee
I'll post this over here, as Buehler touted it as a superior Bosch discussion thread.
But I wanted to comment on one of the most subtle and effective bits of directing I've seen on TV, . . . so subtle that it took me until hours after for it to register, then I wonder whether it was purposeful or happenstance. But I think it was purposeful, the more I think about it.
As viewers will know, jazz is a big part of Bosch's persona, and makes up a lot of the scoring of the show.
But towards the end of season 4, there was a segment with his daughter driving by herself with jazz scoring underneath it, . . . until she stops and turns off the engine and the music stops with it.
It was a very effective way, IMO, of establishing that the daughter is developing some of her dad's traits without commenting on it, or barely even highlighting it.
It wasn't a musical scoring to the episode, it was the daughter making jazz a big part of her life.
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You see that developed in this new season.
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"Serious sport has nothing to do with fair play. It is bound up with hatred, jealousy, boastfulness, and disregard of all the rules."
-- George Orwell, Shooting an Elephant
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