Quote:
Originally Posted by Shag
I had a friend with perfect pitch in college, and for her, there was no screwing up of any notes because nothing was subjective. A note was concrete, like reading it on a page - there wasn't any "I think that's an Ab". She could listen to very complex musical passages and name every note perfectly - it was wild. That's my understanding of perfect pitch, and that if someone really has it, they won't be wrong. It's something they were born with, not something they learned.
People with really good relative pitch can almost fake having perfect pitch, but they aren't always right, and it takes a lot more effort than someone with true perfect pitch.
It's possible I have some misconceptions due to only knowing one person with perfect pitch, but your quote caught me as odd...
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Yep. I've also known two people with true perfect pitch back in my conservatory days. Frankly, I don't believe either one of these guys. I'd probably believe good or very good relative pitch, but perfect pitch... no, I just don't buy it. The two that I knew, you could name a note and they could sing it, no hesitation, and be dead on, every single time. There's no "half step" off, ever.