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07-16-2010, 01:41 PM | |
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The Importance of 432hz Music
Just discovered this during the last week, and find it infinitely interesting.
In 1939 Nazi propaganda minister Joseph Goebbels dictated 440Hz as the standard tuning pitch. This to let people think and feel in a certain manner, and to keep them a prisoner of a certain consciousness. This in spite of that Professor Dussaut from the Paris Conservatory wrote a referendum that was signed by 23,000 French musicians who all were for the preservation of the A= 432Hz. Freedom of choice in bringing back the frequency of the earth is what it's all about today. ** 432Hz quality ** Music on a basis tone of A=432Hz is more transparent, more marked, clearer, gives an obvious musical picture and the Overtones and undertones moves more freely and can multiply themselves more. Music based on 440Hz represents emotions and locks up the head. By lowering the pitch 440Hz - 8Hz to 432Hz, the music changes. Which first was painful to the ear changes into a beautiful, warm music whereby relaxation is natural. Overtones are decisive for the sound, this holds for instruments as well as the human voice. The piano tuned in A= 440Hz creates an artificial clarity and strengthens the high stress levels of today. The instruments on which Mozart and Verdi composed their masterpieces were in 432Hz -is the same as C=256Hz- pitched. The original Stadivarius violin was developed to resonate at 432Hz. http://www.omega432.com/music.html From Wikipedia... The hegemonic ambitions of the Propaganda Ministry were shown by the divisions Goebbels soon established: press, radio, film, theater, music, literature, and publishing. In each of these, a Reichskammer (Reich Chamber) was established, co-opting leading figures from the field (usually not known Nazis) to head each Chamber, and requiring them to supervise the purge of Jews, socialists and liberals, as well as practitioners of "degenerate" art forms such as abstract art and atonal music.[33] The respected composer Richard Strauss, for example, became head of the Reich Music Chamber. Goebbels’ orders were backed by the threat of force. The many prominent Jews in the arts and the mass media emigrated in large numbers rather than risk the fists of the SA and the gates of the concentration camp, as did many socialists and liberals. Some non-Jewish anti-Nazis with good connections or international reputations survived until the mid-1930s, but most were forced out sooner or later. --- Listen to the different versions, and the 432hz seems to harmonize better. Has anyone else done any research on this? |
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08-31-2010, 02:27 AM | #16 |
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No, I am not trolling any one, this is a genuine question. I am not an expert musician, I am confused here at something that is very new to me and I have not seen an answer to my question in the entire google search engine I just killed my self searching for, that is why I asked my question (I usually dont ask questions if I can find answers in any website)
What's killing me here is that what is the 432hz vs 417 hz What I see here is this: First A=417hz THEN it was brought up to A=432hz THEN it was finally brought up to A=440hz (That's three changes to A=???hz why did all these changes occurred) and based on my current research I have read that A=417hz was used in ancient times for a very long time, so how retuning my songs to A=432hz is going to fix the A=440hz the best way possible? Can I just retune my songs to A=417hz? I am confused on this aspect..... Since I haven't seen A=432hz in the solgeggio (Do, Ret, Mi.....) sequence, I would like to have an explanation why it is widely suggested to retune songs to A=432hz while I do not see any indications to retune it to A=417hz) Thats all. Last edited by FranciscoNET; 08-31-2010 at 02:34 AM.. |
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08-31-2010, 04:51 AM | #17 |
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I would think the question would be better served in one of the music forums out there as I don't think anyone here will be versed enough in the subject to answer that for you. I know when I was looking into it I found a ton of boards with much more qualified people for this question. Not saying there isn't someone here than can answer it, just that there won't be many.
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08-31-2010, 02:07 PM | #18 |
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Ok guys, do your research... http://en.wikipedia.org/wiki/History..._Western_music
This is all a bunch of BS... as a matter of fact... the US adopted 440 as the standard in 1926... I doubt the Nazis had much to do with that... Truth is, the standards for pitch have varied from country to country and year to year... If a song was recorded in a certain way... it was MEANT to be be heard played back in that way... feel free to change pitch as you please, but know that you aren't hearing what you were meant to hear. |
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08-31-2010, 02:13 PM | #19 |
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my head hertz after reading that.
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08-31-2010, 02:23 PM | #20 | |
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Quote:
Anyway.. the solfeggio scale is a SCALE it doesn't have set frequencies... you pick a pitch for A and the scale shifts to that.. pick a different pitch for middle C and the scale shifts again... http://en.wikipedia.org/wiki/Musical_scale the idea that some perfect pitch to note frequency exists... is just ridiculous. It's all relative. |
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09-05-2010, 01:13 AM | #21 |
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I prefer Dropped D, 439hz.
You know, Seattle music. Modern Rock. Van Halen, even. |
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09-06-2010, 03:43 AM | #22 | |
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So, just search into the subject, you will notice important people talking about it, its not something that I have invented. I really like to believe in it because its something good, its at least a good hope that many people have in trying to improve themselves in many ways. |
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09-06-2010, 04:43 PM | #23 | |
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09-07-2010, 05:55 AM | #24 | |
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Quote:
http://www.chiefsplanet.com/BB/showthread.php?t=233054 |
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09-07-2010, 08:59 AM | #25 | |
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Just because there is correlation, doesn't necessarily mean that there is some whiz-bang cure all magic in finding the correlation. |
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09-07-2010, 11:27 AM | #26 |
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So for the layman of the group... If I were to tune my guitar to 432 tuning my low E string would become which note relative to 440 tuning (i.e. not just as a lower frequency E)?
Dane- Yup! I agree. Drop D rocks. My band plays in both the key of D and dropped D on our guitars. It's great if you don't have a Tenor/Soprano singer, and it just sounds freaking awesome. |
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