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11-29-2012, 05:05 PM | #1 | |||
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Get a great bass tone from the amp, cabinet, microphone, instrument, strings, pick/fingers and record. Make a decision and go with it. Having options doesn't make the music any better and it generally tends to **** things up come mixing time. Quote:
The Rockman was a new creative tool and it sounded unlike any other guitar amp or guitar recording chain. Same with drum machines. There was an isolation that had never existed before and new sound. Quote:
Drum samples came into play for various reasons. A guy like CLA uses them because it defines his sound. Bob Clearmountain used them and shared his library with others because it defined his sound. Producers don't generally use drum samples unless they ****ed something up while tracking and that usually isn't the case. Mixers like to supplement recorded drums with samples to fit their vision, although it's not unlikely that the drums are replaced in their entirety. I just don't agree, whatsoever. If you're using high end gear like Neve, SSL, API, Drawmer, Empirical Labs, Vintech, etc. and so on and the gear is properly maintained in a clean, temperature controlled room, there is absolutely no reason why anything should sound different from day to day. |
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11-29-2012, 05:17 PM | #2 | ||||
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Come mixing time...we're using my stereo-miked cabs. Already a done deal. Quote:
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Think any Nickleback, Disturbed, or Saliva record you've ever heard. Again, not a fan. Quote:
It may just be a musician thing...of course I'm a weirdo with acute hearing.
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11-29-2012, 05:23 PM | #3 | |
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And I've got just a wee bit experience in this arena myself. |
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11-29-2012, 05:24 PM | #4 |
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I can tell.
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11-29-2012, 05:26 PM | #5 | |
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I just caught that...and probably so.
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