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View Poll Results: Enter the age of the person and whether they know who Paul McCartney is. | |||
Age 4 or under - Knows Paul Mccartney | 4 | 5.63% | |
Age 4 or under - Doesn't Know Paul Mccartney | 7 | 9.86% | |
Age 5 or 6 - Knows Paul Mccartney | 4 | 5.63% | |
Age 5 or 6 - Doesn't Know Paul Mccartney | 7 | 9.86% | |
Age 7 or 8 - Knows Paul Mccartney | 3 | 4.23% | |
Age 7 or 8 - Doesn't Know Paul Mccartney | 6 | 8.45% | |
Age 9 or 10 - Knows Paul Mccartney | 5 | 7.04% | |
Age 9 or 10 - Doesn't Know Paul Mccartney | 4 | 5.63% | |
Age 11 or 12 - Knows Paul Mccartney | 4 | 5.63% | |
Age 11 or 12 - Doesn't Know Paul Mccartney | 8 | 11.27% | |
Age 13 or 14 - Knows Paul Mccartney | 7 | 9.86% | |
Age 13 or 14 - Doesn't Know Paul Mccartney | 5 | 7.04% | |
Age 15 or 16 - Knows Paul Mccartney | 6 | 8.45% | |
Age 15 or 16 - Doesn't Know Paul Mccartney | 3 | 4.23% | |
Age 17 or 18 - Knows Paul Mccartney | 6 | 8.45% | |
Age 17 or 18 - Doesn't Know Paul Mccartney | 2 | 2.82% | |
Age 19 or 20 - Knows Paul Mccartney | 8 | 11.27% | |
Age 19 or 20 - Doesn't Know Paul Mccartney | 3 | 4.23% | |
Age 21 or 22 - Knows Paul Mccartney | 8 | 11.27% | |
Age 21 or 22 - Doesn't Know Paul Mccartney | 2 | 2.82% | |
Age 23 or 24 - Knows Paul Mccartney | 7 | 9.86% | |
Age 23 or 24 - Doesn't Know Paul Mccartney | 2 | 2.82% | |
Age 25 to 29 - Knows Paul Mccartney | 10 | 14.08% | |
Age 25 to 29 - Doesn't Know Paul Mccartney | 2 | 2.82% | |
Age 30 to 39 - Knows Paul Mccartney | 11 | 15.49% | |
Age 30 to 39 - Doesn't Know Paul Mccartney | 3 | 4.23% | |
Age 40 to 49 - Knows Paul Mccartney | 11 | 15.49% | |
Age 40 to 49 - Doesn't Know Paul Mccartney | 2 | 2.82% | |
Age 50 or older - Knows Paul Mccartney | 8 | 11.27% | |
Age 50 or older - Doesn't Know Paul Mccartney | 2 | 2.82% | |
Part 2. Personal knowledge | 2 | 2.82% | |
I know who Paul Mccartney is. | 35 | 49.30% | |
I have no idea who Paul Mccartney is. | 1 | 1.41% | |
Can we have a Pete Best question next? | 4 | 5.63% | |
My child is more of a Stones person. | 5 | 7.04% | |
Multiple Choice Poll. Voters: 71. You may not vote on this poll |
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Thread Tools | Display Modes |
01-06-2015, 09:12 PM | #31 |
oxymoron
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Don't have any interest in either, but I'd certainly far prefer to listen to something with McCartney over Kanye if I was chained to a chair and forced to pick one.
If I had a kid, and he or she knew anything about either, it would come from their mother. |
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01-06-2015, 09:42 PM | #32 |
Psycho Bag Of Squanch
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My boys know who he is because they once meet him at the Gibson guitar tour bus. My 10 year old digs the Beatles.
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01-06-2015, 10:04 PM | #33 | |
Eat/Sleep/Procrastinate/Repeat
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Quote:
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01-06-2015, 11:25 PM | #34 | |
Valiant 'The Thread Killer'
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Quote:
Would be a epic melt down.. Will Smith's ****wit kids might even chime in.. |
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01-07-2015, 01:21 AM | #35 |
MFIC
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Here's an article from the Boston Globe who assume the tweets were jokes.
http://www.bostonglobe.com/arts/tele...GUP/story.html Just before the calendar flipped to 2015, Kanye West released “Only One,” a heartfelt ballad that, the mercurial MC said, was inspired in large part by his late mother, Donda West. The track also featured input from former Beatle Paul McCartney, one of a handful of songs that the pair recorded together during sessions last year. The collaboration between one of hip-hop’s biggest names and a former member of rock purists’ gold standard, which is slated to appear on West’s forthcoming album, grabbed headlines, and it also inspired a bit of ribbing from the social-media peanut gallery. What happened next, to borrow a phrase, will probably not astound you: These one-off jokes were taken as examples of Kids Today not knowing their history — or at the very least not knowing how to behave on social media when members of the rock canon were involved in a piece of music news. The quick-and-dirty “look at these people on Twitter not knowing about this important figure” post has become something of a stock in trade for media outlets looking for ways to position themselves above particular generational frays; indeed, McCartney himself was the subject of similar roundups back in 2012. But this time, the news broke even more widely, with even network affiliates getting in on the action. Thanks to the figures involved — the lightning-rod West, the boomer-beloved McCartney — this combination of one-off Twitter jokes being misinterpreted by people looking for quick-hit boomer outrage being stoked is still social media gold five days into the new year. But the way this news popped up, and then stuck around, speaks volumes about how nostalgia culture has in many ways become culture itself. 2015’s biggest pre-emptive pop-cultural splash happened 30 years ago, when the Michael J. Fox time-travel comedy “Back to the Future” came out. The movie, in which Fox’s Marty McFly was sent back to the soda shops of 1955 in order to save the world (and his parents’ romance), ended with McFly and Christopher Lloyd’s mad genius Doc Brown hyperspeeding to the present day, an era where “we don’t need roads” because vehicular transportation was limited to hovercars. That future is now, although cars still need wheels to get from point A to point B. In that movie, the visual comparisons between 1985 and 1955 are fairly stark: bobby sox, malteds, dance bands in suits. To compare the fashions of 2015 to the 1985 present depicted in “Future,” however, is to see more subtle differences — a white Apple-produced headphone cord dangling from a pocket here, a train wrapped in a full-body ad there. Technologically, 2015 is much more advanced than its 30-years-prior counterpart, even if commutes aren’t yet conducted entirely above-ground. But the baseline in many other ways hasn’t changed much: Classic rock stations still have their identities rooted in the ’60s and ’70s; “Star Wars” remains at the forefront of the pop-cultural conversation; McCartney’s collaborations with younger stars are making waves on the charts. But these shared cultural phenomena operate in tandem with the way culture is produced and consumed now, in which a much more chaotic marketplace — the exponential increase in cable channels, open-ended access to music and videos via streaming services, utterly personalizable news diets thanks to social media — results in certain ideals of the past remaining fixed. The way “Seinfeld” and “Law & Order” appear in what seems like perpetual reruns act as a time machine, only instead of requiring plutonium and lightning to work it’s summoned by the press of a button. Last week, the writer Tim Urban wrote a piece called "It's 2015, And You're In The Future," in which he compared the present year to various moments in the pop-cultural past. Among them: “‘The Wonder Years’ aired from 1988–1993 and covered the years 1968–1973. If it were made today, it would cover the years 1995–2000.” 2015’s version of “The Wonder Years” isn’t a look back at the past, but instead a blast from it: “Friends,” the NBC sitcom that in many ways defined the 1990s, spawning a number of cultural touchstones that included Jennifer Aniston’s haircut and Matthew Perry’s leading-man career, arrived in toto on the streaming-video service Netflix on Jan. 1. It was presented as an entertainment to be enjoyed in that most 2010s of ways — to be binge-watched — and many viewers agreed, tweeting their observations about Ross and Rachel and the gang as they fired up episode after episode. The hubbub was almost enough to make you forget that the show debuted 20 years ago, or 24 years after the Beatles released their final album. (Squint hard enough and those haircuts could be seen as ones worn proudly by ironists.) And with that shifted idea of the present comes a shifted idea of the past, which makes the Beatles seem as if they’re much more of a recent phenomenon — even though the 50th-anniversary parties celebrating their arrival on these shores only occurred a few months ago. That McCartney and West collaborated shouldn’t be too much of a surprise to anyone looking deeper than either artist’s most superficial public image; McCartney has shown his affinity for the present through his collaborations with the Welsh psych-pop outfit Super Furry Animals and the electro outfit Bloody Beetroots, while West has paid homage to classic rock’s past by working with Elton John and sampling King Crimson. What is surprising, though, is how much time has elapsed between McCartney’s burst onto the pop music scene and now — and how, thanks to the way nostalgia is becoming more crucial to shared entertainments, that half a century seems like the blink of an eye. |
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01-07-2015, 01:48 AM | #36 |
In Search of a Life
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im sure if i asked my 16 year old nephew he wouldnt know whot he **** he is anyways. I dont listen to the beatles. Its good music, just not my type of music.
I dont see it as a big deal really. How the **** are they supposed to know if no one around them listen to certain music. |
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01-07-2015, 01:49 AM | #37 |
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will smith's kids will say some scientologist comment that make no ****ing sense whatsoever. haha
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01-07-2015, 02:22 AM | #38 | |
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The British Invasion began more than 50 years ago. Most of the Beatles music has been turned into Muzak. People have heard the songs but don't know the artist. FTR, my daughter first heard "Yesterday" when she was about 2 and a half due to an Apple commercial. She asked me to put it on her iPod, which she listened to overnight. One day later, she sang the complete song to her mom after she returned from an overnight business trip. My wife broke down on tears. This Paul McCartney guy is pretty good. |
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01-07-2015, 05:16 AM | #39 |
Damnit Peg
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No kids here, but when I played a Beatles song for my dog he threw up. I don't like the Beatles either.
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01-07-2015, 09:24 AM | #40 |
MVP
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I don't see what the big deal is. Sure my kids know who Paul McCartney is, but so?
They know more about music then I do at this point. I respect the Beatles and all but in my opinion lots of old folks are stuck in a classic rock vacuum. There is so much good music out there today but if its not the Beatles, Zep, Floyd or some other crusty dude they aren't interested. Like I said, lots of respect but lets move on. |
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01-07-2015, 09:35 AM | #41 |
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I have two grandsons that know who he is, but he needs to stop singing similar to Brett Favre needing to retire. He was downright awful the last time I saw him sing live at the Olympics.
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01-07-2015, 11:54 AM | #42 |
NFL's #1 Ermines Fan
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The poll results are really cool. It tells how fast cultural icons are assimilated into the collective consciousness. Look at the enclosed graph, and you'll see how it steadily climbs from about 30 percent who know McCartney at a young age all the way up.
I deleted one vote from every category because some troglodyte always thinks it's funny to click every vote. Whoever you are, we get it. You know how to click buttons. For your next trick, perhaps you can learn to peel a banana with your feet. I'm actually half-tempted to post this on my real work blog, because it's so cool.
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01-07-2015, 12:25 PM | #43 | |
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Live appearances are extremely tricky, which is why 99% of the time, singers lip sync. Technical difficulties can cause singers to sing out of tune and out of time to due monitor mix, in-ear failure, glitches, time delays and so on. In this case, he said that a giant bell rang near to him that was deafening. A noise like that would totally mess with pitch, which is just another reason why he should have pre-recorded everything (like they do for the Super Bowl) and just lip synced. http://www.dailystar.co.uk/news/late...ames-bell-hell |
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01-07-2015, 12:27 PM | #44 |
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I just googled him. Who the **** are "The Beatles"?
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01-07-2015, 01:00 PM | #45 |
Dirty Bit
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I wasn't front row, but his show at Sprint Center a few months ago was awesome. Incredible energy for his age
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