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05-29-2013, 11:34 AM | #35 | |
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Quote:
That being said, I think 3d is going to get a huge crack in the skull by the first brave director who puts his career on the line to try something new. The rules of composition and the visual language of film are designed for creating cinematic depth by arranging everything in frame in a particular way, mise en scene. Nobody has begun to adjust those rules for the fact that the depth already exists by default in 3d. A very interesting accident of Great and Powerful Oz is that the 3d in the old style aspect ratio does some really interesting things. They didn't however explore that and is sits as a small happy accident in an otherwise fairly forgettable use of 3d. We need some real exploration of the possibilities. The assumption that 3d is for event movies with lots of effects is the first convention that needs to be thrown out. 3d is very effective in Coraline in some very intimate (one or two characters in a small set) scenes. Animated movies are the place most exploration is happening but even that is tied to huge box office expectations and can't afford much risk. Time for short film makers to turn a film festival on its ear with some bold and imaginative uses of stereo (3d) in small budget shorts. (I am lecturing myself here! I am long overdue for making another short.) |
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