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In Search of a Life
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MIKE PORTNOY Quits DREAM THEATER
Drummer Mike Portnoy of progressive metal giants DREAM THEATER has released the following statement:
"I am about to write something I never imagined I'd ever write. "After 25 years, I have decided to leave DREAM THEATER... the band I founded, led and truly loved for a quarter of a century. "To many people this will come as a complete shock, and will also likely be misunderstood by some, but please believe me that it is not a hasty decision...it is something I have struggled with for the last year or so.... "After having had such amazing experiences playing with HAIL!, TRANSATLANTIC and AVENGED SEVENFOLD this past year, I have sadly come to the conclusion that I have recently had more fun and better personal relations with these other projects than I have for a while now in DREAM THEATER. "Please don't misinterpret me, I love the DREAM THEATER guys dearly and have a long history, friendship and bond that runs incredibly deep with them... it's just that I think we are in serious need of a little break. "DREAM THEATER was always my baby...and I nurtured that baby every single day and waking moment of my life since 1985... 24/7, 365... never taking time off from DREAM THEATER's never-ending responsibilites (even when the band was 'off' between cycles)... working overtime and way beyond the call of duty that most sane people ever would do for a band. "But I've come to the conclusion that the DREAM THEATER machine was starting to burn me out...and I really needed a break from the band in order to save my relationship with the other members and keep my DREAM THEATER spirit hungry and inspired. "We have been on an endless write/record/tour cycle for almost 20 years now (of which I have overseen EVERY aspect without a break) and while a few months apart from each other here and there over the years has been much needed and helpful, I honestly hoped the band could simply agree with me to taking a bit of a 'hiatus' to recharge our batteries and 'save me from ourselves'... "Sadly, in discussing this with the guys, they determined they do not share my feelings and have decided to continue without me rather than take a breather... I even offered to do some occasional work throughout 2011 against my initial wishes, but it was not to be... "While it truly hurts for me to even think of a DREAM THEATER without Mike Portnoy (hell, my father named the band!!), I do not want to stand in their way...so I have decided to sacrifice myself and simply leave the band so as to not hold them back against their wishes. "Strangely enough, I just read an interview that I recently did that asked me about the future of DREAM THEATER and I talked about 'always following your heart and being true to yourself'... Sadly, I must say that at this particular moment, my heart is not with DREAM THEATER...and I would simply be 'going through the motions,' and would honestly NOT be true to myself if I stayed for the sake of obligation without taking the break I felt I needed. "I wish the guys the best and hope the music and legacy we created together is enjoyed by fans for decades to come... I am proud of every album we made, every song we wrote and every show we played.... "I'm sorry to all the disappointed DREAM THEATER fans around the world... I really tried to salvage the situation and make it work... I honestly just wanted a break (not a split)... but happiness cannot be forced, it needs to come from within. "You DREAM THEATER fans are the greatest fans in the world and as you all know, I have always busted my ass for you guys and I hope that you will stay with me on my future musical journey, wherever it may lead me.... (and as you all know my work ethic, there will surely be no shortage of future Mike Portnoy projects!)" http://www.roadrunnerrecords.com/bla...sitemID=145749 |
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#31 |
MVP
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#32 | |
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#33 | |
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There are more drummers with monster ****ing chops than there are guitarists. The smart drummers are just doing their jobs. There are very few guitarists around that can shred but don't. |
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#34 |
union paraplegic organizer
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Wow. I had one or two of their LP's from way back.
Didn't know they were still around or had such a following? I liked them, not the way I liked per say Boston.
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I like to sleep For I'm walking in my dreams. Live life like every DAY is your last! |
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#35 |
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#36 | |
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Quote:
First of all, I don't think Petrucci is replacable (or any of them for that matter). Having said that, I think there are way more great guitarists than there are great drummers. Growing up in the '80s, it seemed like every band had at least one great guitarist that could shred some wicked guitar solo. As a drummer, there were very few bands that had a drummer that was able to play complex rhythems and beats, play in odd time meters and signatures, and "shred" complex fills and/or drum solos within the framework of a song. The only truly "great" rock drummers (and rock music is an important distinction here) in the last 30 years have been Peart, Portnoy, Carey, and maybe Terry Bozio. Very good drummers would include McBrain, VanHalen, Travis Smith, The Rev, Lars, Lombardo, and I can't think of many others. There were so many bands in the late '70s, '80s, and early '90s that had exceptional guitarists and average to poor drummers. The Scorpions, Judas Priest, Black Sabbath, Ozzy, Motley Crue, Alice in Chains, G n R, and on and on. Not to mention guys like Steve Vai and Satriani that could absolutely shred. From personal experience, I've never played with a guitarist that didn't have outstanding chops, but I've had a lot of them tell me they've never played with a drummer as good as me. I think it's way harder to replace a great bassist. There are very few rock bassists that I would consider great. And as far as DT is concerned, Rudess would probably be the hardest to replace. He is truly other-worldly. |
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#37 |
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**** Rudess. He is an other-wordly talent, but he's the musical equivalent of the kinds of writers who are so completely self-indulgent with their prose that the quality of the fiction is marred. The band has become so sloppy in terms of songwriting with Rudess at the keys. Kevin Moore was so much better for the band.
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#38 | |
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If not, shut the **** up. Bassist? ![]() Where do you live? Goodland? ![]() |
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#39 | |
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Quote:
![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() You clearly don't know a ****ing thing about drummers. Alex Van Halen? ![]() Andy Johns could tell you a few stories. Didn't you just love his Simmons drums on 1984, 5150 and OU812? They were the BOMB! ![]() And LARS? ****, Dude. The ENTIRE Black album was cut and paste to TAPE. Not a computer, tape. They cut so much ****ing tape that all of the cymbals had to be re-cut because they were chopped off when trying to get the drums in time. There are an ENDLESS number of players who could play Portnoy's parts. Dave Weckl, Brian Tichy, Taylor Hawkins, anyone that's played with Zappa or Vai (Chris Frazier, FTW?), Phil Collins, Bill Bruford, Robin Dimaggio and an and on and on. If Portnoy is thought to be "special", it's because of the attitude and vibe he brought to the band. The sense of direction. Not because of his chops. |
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#40 | |
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#41 | |
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Quote:
My experience has been that there are far more extremely talented drummers that "hide" their chops in order to work. Conversely, many guitarists struggle to do even the simplest things, let alone shred like a Petrucci. I gave you names of many drummers that could step right in an not miss a beat in a live show for the fans. If you'd like, go ahead a name the guitarists that could fill in for John and play his parts perfectly. |
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#42 | |
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I will take your word for it re: great drummers that don't show it. You obviously the experience to make that claim. I can say that I hate all of these drummers that I don't know because they are denying the world their talent. |
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#43 |
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#44 | |
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I only meant that Rudess was the hardest to replace in terms of how the band has developed their sound and style, I think he would be the hardest to replace, as in what other keyboardist could replicate what he plays? I don't play keyboard, have a friend that does and has for nearly 20 years, and he says Rudess is hands down the best he's ever heard and the most difficult to emulate. |
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#45 | |
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As I said, which you ignored, there are very few great "rock" drummers. I mentioned Weckl earlier, but he is not a rock drummer, he plays almost strictly jazz and/or fusion. I mentioned someone that played with Zappa, Terry Bozzio. Bruford is strictly a jazz player these days. You can laugh at Alex VH and Lars all you want, and I'm not privy to any inside information on what went on in the studio with them, but their contributions to "rock" drumming have been significant. When I measure a drummer's worth, I only have their music that I hear to go by. You can't argue that Lars influenced many drummers (Portnoy included) with his playing and style, particularly his use of double base. Same for Alex VH, especially his work on 1984. I was never a big fan of either one personally, but that doesn't mean they didn't help shape and define the "rock" drumming of their time. I don't give a shit what a guy can do on a drumset when he's just showing off his chops, with no one else playing. To me what makes a drummer good to great is how he incorporates those chops into the songs of the band, adding to the song, making the drum parts memorable while not overplaying and taking away from the song. Thus, a guy like Neil Peart is a drumming god, while a guy like Steve Smith is not. Both guys can shred a drumset, but Tom Sawyer (or even Closer to the Heart) got me a lot more fired up to play my kit than Open Arms. Just like in sports. JaMarcuss Russell could do things on the practice field that Joe Montana could only dream about. Who gives a shit? It's what you do in the games that count. |
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