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06-08-2009, 07:17 AM | |
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Incident at P&L District shocks DJ Jazzy Jeff
Wow......Unreal.
http://www.kansascity.com/226/story/1238798.html Another day, another racial controversy at the Power & Light District. For a year, the black community has been in arms about perceived racism at the entertainment district, a place their tax money helped fund. But it’s always rebutted. Everyone is welcome at the P&L, officials say. Well, those who follow the hip-hop music scene have more to chew on since late Saturday night, when one of hip-hop’s icons, DJ Jazzy Jeff, cut short a set of music and left the stage in a dispute over the kind of music his show was spinning. I walked in just as he was walking off the stage. He had performed less than 30 minutes. The crowd booed and I heard people, both black and white, yell about how the Power & Light didn’t want him to play hip-hop. I wasn’t sure what happened, but I knew it was bad. A conversation I had with him early Sunday confirmed it. He might be best known as one half of DJ Jazzy Jeff & The Fresh Prince, but he is more than Will Smith’s old DJ and friend. The two won the first rap Grammy. Jeff Townes, his given name, is legendary. He introduced “transforming,” the scratching technique turntablists use. This man has toured for 25 years. He’s an acclaimed producer. So what exactly happened? According to his tweets (twitter.com/djjazzyjeff215), he was kicked offstage for playing hip-hop. Jon Stephens, president of the Power & Light District, says it was about the sound levels. “The issue that arose with the performance last night was completely about the sound levels,” he said Sunday. “His audio tech was maxing out the sound system to a point that risked damage to the speakers and sound system. His sound techs and management refused to bring the decibel level down. They were told to bring it down or cease performance. They refused to go on.” Hours after he returned to his Philadelphia home, I spoke to Jazzy Jeff on the phone to hear his side. His set started with sounds of hip-hop and pop favorites — Jay-Z, Biz Markie, Rihanna. His MC, Skillz, hyped up the crowd. But after 15 minutes or so, in the middle of an R&B hit by Ne-Yo, “Miss Independent,” he was told to stop. “My road manager walked up to me and said they were having problems with the music I was playing,” Jazzy Jeff told me. “I played three more songs and he comes back. I knew something was wrong. They said I had to kick Skillz off the stage, change the format of the music I was playing or quit. They said if I continued playing they had 30 cops ready to come escort me offstage. So I stopped.” Jon Stephens says that isn’t so. “Obviously we have a desire to book a diversity of acts,” he said. “We booked Jazzy Jeff on a Saturday night, the biggest night of the week in the district. We were excited to have him there. It’s unfortunate that his sound and management people had problems adhering to the sound and audio rules. We wanted him to play. That’s why we booked him.” Jazzy Jeff was excited to play here too. But it all went wrong. Venue officials said the set attracted the wrong kind of element, he says. “They said they didn’t like Skillz’s posture,” Jeff said. “They said he made gang-like signs and grabbed at his genitals.” So P&L officials wanted him offstage. But Jeff felt it was wrong because Skillz is no gang member. He is a father. His hand gestures were the kind of excited movements you make to get the crowd excited. He wasn’t cursing or being offensive. “I was playing Rihanna; she is Top 40,” he says. “If they would have let my set play, they would have known I play everything. I play rock, funk, soul, pop, hip-hop, reggae. I don’t play for a certain genre, race or gender. I play for music lovers.” In his 25-year career, at 44 years old, Jeff has never been told to end a set because of hip-hop. He says he has never felt that kind of racism. The “element” that officials referred to felt like a reference to black people, a hip-hop crowd. “I’m in shock,” he says. “I didn’t understand what element they were talking about. I looked out in the crowd and it was multicultural, but about 75 percent white. Everyone was having a great time. I wondered what was so offensive. I never had a race issue. I didn’t know how to feel. I was playing ‘Just a Friend.’ Is that offensive? What element? It’s uncomfortable when you feel unwanted.” |
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06-08-2009, 02:51 PM | #496 | |
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Economics 101. Cause soon as the baggy jeans & Tennis Shoes come in you lose the upscale crowd that spends the money. To hell with the culture when you're trying to get paid. And let's be frank here, "the culture" has fugged up a lot of shit. They want to be equals but don't know how to act so fugg'em. |
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06-08-2009, 02:54 PM | #497 | |
FINALLY! The wait is over.
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06-08-2009, 02:56 PM | #498 |
Whose house?
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I don't agree that it's fair, but Foxx isn't on public airwaves.
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06-08-2009, 02:57 PM | #499 | |
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I'm just trying to say that even though the majority might not be affiliated with a gang or be involved with any criminal behavior, you don't know. No business owner wants a fight of any kind on their property so why not take precautions. To me thats not a skin color thing, but just a gang thing. |
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06-08-2009, 02:58 PM | #500 |
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06-08-2009, 02:59 PM | #501 |
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I think he was when he said that....a radio show, just like Imus.
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06-08-2009, 02:59 PM | #502 | |
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True words of wisdom I heard a few months ago. "Never go to the club with someone that doesn't have anything to live for" Only got it 1 week too late. I can only imagine that more of baggy clothes crowd they're trying to deter would fall in that category than someone wearing starched shirts and loafers. |
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06-08-2009, 03:01 PM | #503 |
A certain set of skills
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VARSITY
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06-08-2009, 03:04 PM | #504 |
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And isn't DJ Jazzy Jeff about 25 years too late to the party that raises the finger to "THE MAN!"
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06-08-2009, 03:04 PM | #505 | |
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you're off base again in thinking that we all view those not conforming to the dress code as thugs. We (or at least I) don't. I simply see that there is increased potential. It's risk management. You are 12 times more likely to be killed in an auto accident if you aren't wearing a seat belt. Risk management dictates you are better off wearing a seatbelt. |
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06-08-2009, 03:06 PM | #506 |
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Looking like an idiot can change in appearence with the same end result. To call it a culture is a joke. Its a phase and kids outgrow it when they get a car and start getting a beard.
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06-08-2009, 03:06 PM | #507 | |||
Whose house?
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Cordish can't take credit for having booked the tour. I know the promoter who did...personally. Secondly, the Bacardi B-Live Tour uses rotating DJ's so it's a little disingenuous to say that they KNEW Jeff was coming. Quote:
A soundsystem that costs somewhere in the five/six-figure range had no safety features in place that could've prevented the damage. Their permanently housed equipment was ruined by portable traveling gear. Got it. KCL staff and its engineers were so concerned Jeff was allowed for thirty minutes to push the system beyond its limits. Quote:
Riiiiiiiiiight.
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It's like when I'm right I'm right, when I'm wrong I could been right, so I'm still right cause I coulda been wrong. Last edited by Micjones; 06-08-2009 at 03:13 PM.. |
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06-08-2009, 03:06 PM | #508 |
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06-08-2009, 03:08 PM | #509 |
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There was a 19 year old Jazz in my house this weekend. Young black male wearing urban clothing humping a huge but very sweet white chick. When we were introduced I threw out the typical DJ Jazzy Jeff joke.
He blinked and said I was the 3rd person to call him that and he had no idea why. So this thread was a hilarious coincidence. And everyone here is really old.
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06-08-2009, 03:08 PM | #510 | |
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It's funny. Like this is Sunset Boulevard. Lil' KC thinks it's LA or Chicago or NYC, with Cordish trying to create for these places an artificial sense of exclusivity. Lucky for these kinds of corporations there are a lot of people with more money than sense. |
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