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06-08-2009, 07:17 AM | |
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Incident at P&L District shocks DJ Jazzy Jeff
Wow......Unreal.
http://www.kansascity.com/226/story/1238798.html Another day, another racial controversy at the Power & Light District. For a year, the black community has been in arms about perceived racism at the entertainment district, a place their tax money helped fund. But it’s always rebutted. Everyone is welcome at the P&L, officials say. Well, those who follow the hip-hop music scene have more to chew on since late Saturday night, when one of hip-hop’s icons, DJ Jazzy Jeff, cut short a set of music and left the stage in a dispute over the kind of music his show was spinning. I walked in just as he was walking off the stage. He had performed less than 30 minutes. The crowd booed and I heard people, both black and white, yell about how the Power & Light didn’t want him to play hip-hop. I wasn’t sure what happened, but I knew it was bad. A conversation I had with him early Sunday confirmed it. He might be best known as one half of DJ Jazzy Jeff & The Fresh Prince, but he is more than Will Smith’s old DJ and friend. The two won the first rap Grammy. Jeff Townes, his given name, is legendary. He introduced “transforming,” the scratching technique turntablists use. This man has toured for 25 years. He’s an acclaimed producer. So what exactly happened? According to his tweets (twitter.com/djjazzyjeff215), he was kicked offstage for playing hip-hop. Jon Stephens, president of the Power & Light District, says it was about the sound levels. “The issue that arose with the performance last night was completely about the sound levels,” he said Sunday. “His audio tech was maxing out the sound system to a point that risked damage to the speakers and sound system. His sound techs and management refused to bring the decibel level down. They were told to bring it down or cease performance. They refused to go on.” Hours after he returned to his Philadelphia home, I spoke to Jazzy Jeff on the phone to hear his side. His set started with sounds of hip-hop and pop favorites — Jay-Z, Biz Markie, Rihanna. His MC, Skillz, hyped up the crowd. But after 15 minutes or so, in the middle of an R&B hit by Ne-Yo, “Miss Independent,” he was told to stop. “My road manager walked up to me and said they were having problems with the music I was playing,” Jazzy Jeff told me. “I played three more songs and he comes back. I knew something was wrong. They said I had to kick Skillz off the stage, change the format of the music I was playing or quit. They said if I continued playing they had 30 cops ready to come escort me offstage. So I stopped.” Jon Stephens says that isn’t so. “Obviously we have a desire to book a diversity of acts,” he said. “We booked Jazzy Jeff on a Saturday night, the biggest night of the week in the district. We were excited to have him there. It’s unfortunate that his sound and management people had problems adhering to the sound and audio rules. We wanted him to play. That’s why we booked him.” Jazzy Jeff was excited to play here too. But it all went wrong. Venue officials said the set attracted the wrong kind of element, he says. “They said they didn’t like Skillz’s posture,” Jeff said. “They said he made gang-like signs and grabbed at his genitals.” So P&L officials wanted him offstage. But Jeff felt it was wrong because Skillz is no gang member. He is a father. His hand gestures were the kind of excited movements you make to get the crowd excited. He wasn’t cursing or being offensive. “I was playing Rihanna; she is Top 40,” he says. “If they would have let my set play, they would have known I play everything. I play rock, funk, soul, pop, hip-hop, reggae. I don’t play for a certain genre, race or gender. I play for music lovers.” In his 25-year career, at 44 years old, Jeff has never been told to end a set because of hip-hop. He says he has never felt that kind of racism. The “element” that officials referred to felt like a reference to black people, a hip-hop crowd. “I’m in shock,” he says. “I didn’t understand what element they were talking about. I looked out in the crowd and it was multicultural, but about 75 percent white. Everyone was having a great time. I wondered what was so offensive. I never had a race issue. I didn’t know how to feel. I was playing ‘Just a Friend.’ Is that offensive? What element? It’s uncomfortable when you feel unwanted.” |
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06-08-2009, 04:20 PM | #571 |
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So your saying your friend booked something and had no idea who or what genre would be playing?
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06-08-2009, 04:20 PM | #572 |
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06-08-2009, 04:21 PM | #573 |
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To say the organizers wouldn't expect any DJ at any show to play at decent amount of hip-hop or R&B would be equally disingenuous.
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06-08-2009, 04:22 PM | #574 |
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Man, thats some music there. Big Joe's Polka Show is on RFD TV every week. Top bands too
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06-08-2009, 04:23 PM | #575 |
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06-08-2009, 04:32 PM | #576 | |
Whose house?
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Quote:
KC Live hasn't traditionally been a stage for Hip Hop.
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06-08-2009, 04:34 PM | #577 |
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Brilliant.
If they didn't personally book the tour or have foreknowledge of which set of DJ's would be on tap for the performance that night...they must've been booked accidentally. Fabulous logic at work there.
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06-08-2009, 04:38 PM | #578 |
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06-08-2009, 04:39 PM | #579 |
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you think Matt Cassell knows the intricacies of HD television cameras?
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06-08-2009, 04:42 PM | #580 |
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Um...where did I say that?
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06-08-2009, 04:43 PM | #581 | |
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Quote:
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06-08-2009, 04:44 PM | #582 | |
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Quote:
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06-08-2009, 04:46 PM | #583 | |
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I'm sure any musician knows how to turn on a mixing board and I bet any QB can power up a camera, but knowing how to use one, let alone the engineering principals behind the equipment isn't something most have a firm handle on. |
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06-08-2009, 04:50 PM | #584 | |
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By virtue of being a live performer and recording artist I will ALWAYS come into personal contact with audio equipment to execute my craft. Matt Cassel will never EVER find himself in a control room, or behind a camera on Sunday gamedays as a by-product of playing QB in the NFL. He doesn't need a working knowledge of broadcast equipment or technology to play QB. Again, I've done audio-engineering for local studios. I've taken audio-engineering classes. My experience as an artist is merely a sidebar to my overall experience with audio equipment. But again, don't take my word for it. Do your own research about how compressors function.
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06-08-2009, 04:50 PM | #585 |
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So you're saying that prior DJ's probably did play hip-hop there? At least some amount? Because a few posts above that when I said someone claiming they had no expectation that a certain amount of hip-hop would be played would be being disingenuous you disagreed.
So in the past it happened but they were simply stunned that a DJ in this case spun R&B and hip-hop (and fairly tame hip-hop from what I've read). |
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