Check this out: [8.4.2010 5792261] Notice of Copyright Infringement

[Reerun_KC]

Okay this is funny.. My son and I downloaded this movie about 3 months ago and watched it... Nice to see they are on top of things...

Dear Customer,
This message is to advise that Cox Communications has received a notice claiming that you are using your Cox High Speed Internet service to post or transmit material in violation of U.S. Copyright law. We have included a copy of the complaint, which identifies the party raising it and the material claimed to be infringing.
We ask that you review the complaint and, if it is valid, promptly remove or disable access to the infringing material. If you disagree with the claims in the notice, you should contact the sender, and not Cox, to resolve the matter.
As an Internet Service Provider, Cox is responsible, under the Digital Millennium Copyright Act ("DMCA"), to advise when we receive a notice asserting infringement by you. We are also required to take appropriate action if further claims are received that you do not resolve.
The material that you post or share online is your responsibility. Cox encourages responsible Internet use, but we do not monitor nor control the information you share. We have a duty, however, to take progressive steps when we received complaints of infringement.
If we continue to receive infringement claims such as this one, concerning your use of our service, we will suspend your account and disable your Internet connection until you confirm you have removed the infringing material.
To learn more about your responsibilities concerning copyrighted material, please refer to our help article at:
http://support.cox.com/sdccommon/asp...a-4c6448f22d05
http://www.respectcopyrights.org/
http://www.riaa.com/ispnoticefaq.php - (General information about DMCA notices)
If you would like to reply to this email, please keep the subject line intact for tracking purposes.
Sincerely,
Cox Customer Security
-----BEGIN PGP SIGNED MESSAGE-----
Hash: SHA1
Notice ID: 22-94125217
Notice Date: 4 Aug 2010 20:33:17 GMT
Cox Communications Inc.
Dear Sir or Madam:
BayTSP, Inc. ("BayTSP") swears under penalty of perjury that Paramount Pictures Corporation/Dreamworks Animation SKG, Inc. ("Paramount/Dreamworks") has authorized BayTSP to act as its non-exclusive agent for copyright infringement notification. BayTSP's search of the protocol listed below has detected infringements of Paramount/Dreamworks' copyright interests on your IP addresses as detailed in the below report.
BayTSP has reasonable good faith belief that use of the material in the manner complained of in the below report is not authorized by Paramount/Dreamworks, its agents, or the law. The information provided herein is accurate to the best of our knowledge. Therefore, this letter is an official notification to effect removal of the detected infringement listed in the below report. The below documentation specifies the exact location of the
We hereby request that you immediately remove or block access to the infringing material, as specified in the copyright laws, and insure the user refrains from using or sharing with others unauthorized Paramount/Dreamworks' materials in the future (see, 17 U.S.C. 512).
Further, we believe that the entire Internet community benefits when these matters are resolved cooperatively. We urge you to take immediate action to stop this infringing activity and inform us of the results of your actions. We appreciate your efforts toward this common goal.
Please respond indicating the actions you have taken to resolve this matter. The provided link has been assigned to this matter. http://webreply.baytsp.com/webreply/...20a281a16c618a
For email correspondence, please reference the above Notice ID in the subject line. mailtoaramount@copyright-compliance.com?subject=RE%3A%20Notice%20ID%3A%2022%2D94125217%20Notice%20of%20Unauthorized%20Use%20o f%20Paramount%20Pictures%20Corporation%2FDreamworks%20Animation%20SKG%2C%20Inc%2E%20Property
Nothing in this letter shall serve as a waiver of any rights or remedies of Paramount/Dreamworks with respect to the alleged infringement, all of which are expressly reserved. Should you need to contact me, I may be reached at the below address.
Regards,
Mark Ishikawa
Chief Executive Officer
BayTSP, Inc.
PO Box 1314
Los Gatos, CA 95031
v: 408-341-2305
f: 408-341-2399
paramount@copyright-compliance.com
*pgp public key is available on the key server at http://pgp.mit.edu
Note: The information transmitted in this Notice is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, reproduction, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from all computers.
This infringement notice contains an XML tag that can be used to automate the processing of this data. If you would like more information on how to use this tag please contact BayTSP.
Evidentiary Information:
Notice ID: 22-94125217
Initial Infringement Timestamp: 4 Aug 2010 18:15:32 GMT
Recent Infringement Timestamp: 4 Aug 2010 18:15:32 GMT
Infringers IP Address: 68.12.209.193
Protocol: BitTorrent
Infringed Work: Transformers: Revenge of the Fallen
Infringing File Name: Transformers 2 Revenge Of The Fallen DVDRip XviD-MAXSPEED
Infringing File Size: 1469734654
Bay ID: 19abc3ebf9ca970b72520f4eb430d93e340b368e|1469734654
Port ID: 52080
Infringer's DNS Name: ip68-12-209-193.ok.ok.cox.net
Infringer's User Name:
http://www.movielabs.com/ACNS http://www.movielabs.com/ACNS/ACNS2v1.xsd" xmlns="http://www.movielabs.com/ACNS" xmlns:xsi="http://www.w3.org/2001/XMLSchema-instance">
94125217
Open
BayTSP, Inc. on behalf of Paramount Pictures
Compliance Manager, Compliance Team
P.O. Box 1314, Los Gatos, California 95031 United States of America
(408) 341-2300,(408) 341-2399
paramount@copyright-compliance.com>
Cox Communications Inc.
abuse@cox.net>
2010-08-04T18:15:32.000Z
68.12.209.193
52080
ip68-12-209-193.ok.ok.cox.net
BitTorrent

1
No
2010-08-04T18:15:32.000Z

Transformers 2 Revenge Of The Fallen DVDRip XviD-MAXSPEED
1469734654
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[DaneMcCloud]

Originally Posted by Omaha

No shit. I get notstalgia tours. I see them roll through town, but Roger Waters is different. Aerosmith can't even sell out the Qwest Center in Omaha. Selling out stadiums is another thing entirely.

Aerosmith can sell out Staples Center or the Hollywood Bowl, any day of the week.

By the way, Omaha isn't exactly the center of cultural relevance, nor would it be consider a "population center".

You're way out of your element.

[Omaha]

Originally Posted by Reaper16

They sold out the 19,000 seat Allstate Arena. That's pretty good.

Damn! You're right. That's very good. I still wouldn't call them relevant, at least in the US, but they must have a lot more drawing power than I give them credit for.

[chiefzilla1501]

Originally Posted by Omaha

Great post. I'd like to point out that I don't think indie music has necessarily gotten better over the years as much as it's become more available over the last 10 years.

I was an indie musician throughout the '90s and we didn't have myspace, youtube, internet radio, satelite radio, or anything to get our music out. We had to beg people to come to our shows, book studio time & spend everything we had to have CDs printed. It was much more difficult to get our music out there & fewer bands were able to do it.

Now I can do it all in my office at my house. Record an entire CD, mix & master it, & burn several copies for friends. |The biggest difference is that there are so many more bands doing it these days because it's so easy.

Yup. Ironically, I would argue that napster started to put the wheels in motion. I remember watching OAR turn one mp3 into a campus scene sensation. Indie music is too hard to follow if you can't sample bc there are so many genres within. While myspace, youtube, pandora, etc... May have hurt mainstream artists, I agree that its been tremendous for indie bands. And best part is, an indie band can now manage themselves and do just fine, rather than sign a bad contract w/a record company who is only going to force you to change their sound. So many good bands have gone horribly bad once record companies forced them to change their sound to something more marketable. OAR is actually a classic example of that.

[DaneMcCloud]

Originally Posted by Omaha

Now I can do it all in my office at my house. Record an entire CD, mix & master it, & burn several copies for friends. |The biggest difference is that there are so many more bands doing it these days because it's so easy.

They're "doing it" but the audio fidelity is generally just north of dogshit because people don't own real studio gear, professional DA convertors, mic pre's, microphones, monitors, mix in treated rooms, etc.

Furthermore, they don't have the experience necessary as engineers or producers in order to make a great record (and more often times, even a listenable song).

[Omaha]

Originally Posted by DaneMcCloud

Aerosmith can sell out Staples Center or the Hollywood Bowl, any day of the week.

By the way, Omaha isn't exactly the center of cultural relevance, nor would it be consider a "population center".

You're way out of your element.

Way out of my element? You really are a condescending douche when someone disagrees with you.

I realize Omaha isn't that big. Neither is the Qwest Center. That's why I brought it up.

I don't care what Aerosmith can sell out. They aren't putting out good, relevant music and they haven't for a looooooong time.

[DaneMcCloud]

Originally Posted by chiefzilla1501

Yup. Ironically, I would argue that napster started to put the wheels in motion. I remember watching OAR turn one mp3 into a campus scene sensation. Indie music is too hard to follow if you can't sample bc there are so many genres within. While myspace, youtube, pandora, etc... May have hurt mainstream artists, I agree that its been tremendous for indie bands. And best part is, an indie band can now manage themselves and do just fine, rather than sign a bad contract w/a record company who is only going to force you to change their sound. So many good bands have gone horribly bad once record companies forced them to change their sound to something more marketable. OAR is actually a classic example of that.

This is ****ing horeshit.

Do "just fine"? You mean, as in travel in a piece of shit van making $300 a night to sell 2,000 copies of a poorly produced CD?

Give me a ****ing break.

[DaneMcCloud]

Originally Posted by Omaha

I don't care what Aerosmith can sell out. They aren't putting out good, relevant music and they haven't for a looooooong time.

That's your opinion but that's not even the point.

The point is that their music has lasted way longer than their time in the "spotlight".

They could sell out arenas until they die. Their music will forever be embeded in the mainstream consciousness through movies, TV, music videos and CD's.

Again, you're just way out of your element.

[Omaha]

Originally Posted by DaneMcCloud

They're "doing it" but the audio fidelity is generally just north of dogshit because people don't own real studio gear, professional DA convertors, mic pre's, microphones, monitors, mix in treated rooms, etc.

I was just talking about getting a demo out to the masses. A great song is a great song. It doesn't need great production to get a idea across.

Originally Posted by DaneMcCloud

Furthermore, they don't have the experience necessary as engineers or producers in order to make a great record (and more often times, even a listenable song).

Who are "they"? It sounds like you're listening to the wrong guys. Even here in tine Omaha there are some local musicians who have some great material. It doesn't take a great studio to produce a solid demo.

[DaneMcCloud]

Originally Posted by Omaha

I was just talking about getting a demo out to the masses. A great song is a great song. It doesn't need great production to get a idea across.

Who are "they"? It sounds like you're listening to the wrong guys. Even here in tine Omaha there are some local musicians who have some great material. It doesn't take a great studio to produce a solid demo.

First off, you didn't specify "Demo". You said record, mix and master in your office. There are tens of thousands of people with prosumer computer recording equipment across the country but 99.9999% of those recordings are rather unlistenable and the songs are generally poor as well.

And secondly, if a song isn't recorded "properly", regardless of whether or not it's "great" (and that's certainly up for debate), it won't find it's way into film or TV, which is the quickest way to bring attention to a new artist.

[Omaha]

Originally Posted by DaneMcCloud

That's your opinion but that's not even the point.

The point is that their music has lasted way longer than their time in the "spotlight".

They could sell out arenas until they die. Their music will forever be embeded in the mainstream consciousness through movies, TV, music videos and CD's.

Again, you're just way out of your element.

I think I'm out of YOUR element and that's absolutely fine with me. You keep changing your "point" so that's fine. I feel like you just want to bitch at someone.

Yeah, sure, they all have their place on classic rock stations. Does that make them relevant today?

[DaneMcCloud]

Originally Posted by Omaha

I think I'm out of YOUR element and that's absolutely fine with me. You keep changing your "point" so that's fine. I feel like you just want to bitch at someone.

Yeah, sure, they all have their place on classic rock stations. Does that make them relevant today?

Um, yeah. Absolutely.

If you're selling out huge concert venues all over the world, how in the hell can you claim that they're not relevant?

You really don't understand this conversation, do you?

And BTW, n00b, this is an argument that you just can't win. I've spent my entire life in the music business, and spent more than a decade in Universal and Paramount's music division. My ENTIRE life revolves around music and I am far more knowledgeable on this subject than anyone you've ever met in your life.

You'd be wise to listen and learn and avoid making statements about a subject in which you apparently know very little about.

[Omaha]

Originally Posted by DaneMcCloud

First off, you didn't specify "Demo". You said record, mix and master in your office. There are tens of thousands of people with prosumer computer recording equipment across the country but 99.9999% of those recordings are rather unlistenable and the songs are generally poor as well.

I was discussing the difficulty local musicians getting songs out to the public with chiefzilla.

Originally Posted by DaneMcCloud

And secondly, if a song isn't recorded "properly", regardless of whether or not it's "great" (and that's certainly up for debate), it won't find it's way into film or TV, which is the quickest way to bring attention to a new artist.

Really????? The greatness of this hypothetical indie song is up for debate????? I give.

[DaneMcCloud]

Originally Posted by Omaha

I was discussing the difficulty local musicians getting songs out to the public with chiefzilla.

What a second: How is it difficult? There's the internet! No record labels necessary.

[Omaha]

Originally Posted by DaneMcCloud

You really don't understand this conversation, do you?

And BTW, n00b, this is an argument that you just can't win. I've spent my entire life in the music business, and spent more than a decade in Universal and Paramount's music division. My ENTIRE life revolves around music and I am far more knowledgeable on this subject than anyone you've ever met in your life.

You'd be wise to listen and learn and avoid making statements about a subject in which you apparently know very little about.

Wow, you're making quite an assumption about someone you've never met.

I don't want to come off as douchey as you just did, so I'm not saying this to claim that I'm an expert on the subject. I've spent a fair amount of time in/around the music business. I've recorded CDs, toured the midwest, and played shows with several national acts. I've got friends who've gone on to get signed an have some decent success and some who haven't.

I don't give a shit about your possible credentials or your length of time on this message board. You clearly don't know as much as you think you know so you try to bullyyour way through discussions.

You'd be wise to not be such a condescending prick. This was a pretty cool discussion until you decided to try to bully it to death.

[Omaha]

Originally Posted by DaneMcCloud

What a second: How is it difficult? There's the internet! No record labels necessary.

In the '90s. This is what happens when you jump in & throw a tantrum in mid conversation.