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09-25-2020, 10:44 AM | #241 |
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Yea. I had heard a little about Becker over the years. I’ll have to give that a watch over the weekend. Thanks
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Originally Posted by Cassel's Reckoning: Matt once made a very nice play in Seattle where he spun away from a pass rusher and hit Bowe off his back foot for a first down. One of the best plays Matt has ever made. |
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09-25-2020, 12:16 PM | #242 |
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Yesterday was the 30th anniversary of, as a few have already mentioned, the greatest thrash album of all time Rust In Peace. I still remember being 11 years old and begging my friends older brother to drive us to the mall and buy the CD and blast it in his shitty car. He hated it, he was more of a Ice Cube Public Enemy guy but I was obsessed. Saw Mustaine and boys many times over the years after that and yes the Menza Friedman era was the best.
But anyways after the Black Album Metallica pretty much went to shit, the exception being maybe Death Magnetic. And comparatively when they played live Megadeth blew them out of the water. Shit Lars can't even drum still lol |
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09-25-2020, 12:26 PM | #243 | |
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09-25-2020, 12:37 PM | #244 |
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True that, after the success of Black Album Dave definitely went a different direction. But an album like Dystopia is miles better than anything Metallica has put out in 30 years
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09-25-2020, 12:50 PM | #245 |
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09-25-2020, 12:50 PM | #246 | |
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I'm really looking forward to hearing Dirk on drums because while it seems like the metal community worships Chris Adler, I didn't hear anything special from him on that album. It was fine, which is expected but it wasn't mind blowing or anything even close to that. |
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09-25-2020, 12:54 PM | #247 |
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As for Metallica "versus" Megadeth, they're two completely different bands with completely different styles and IMO, the only thing they share (beyond Dave in Metallica for 4 minutes) is that they're both classified as Metal bands.
Countdown to Extinction is nothing like the Black album. Megadeth's musicianship has always been lightyears ahead of Metallica's but Hetfield's voice just so perfectly fits the genre, whereas Dave's falls into that Billy Corgan category. Kirk Hammett isn't a very technical player, nor does he draw upon several musical genres like Marty and Kiko have done over the years. Hammett's just a blues-based guy using Blues shapes and a wah while guys like Marty and Kiko are influenced by Eastern, Indian, Middle Eastern and Classical music when composing their solos. Lars is certainly a groundbreaking drummer but the guy can't keep time to save his life. |
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09-25-2020, 12:58 PM | #248 | |
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09-25-2020, 01:03 PM | #249 | |
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While Kirk Hammett was taking lessons from Joe Satriani in the late 80's (along with guys like Alex Skolnick from Testament), Dave went straight to the source and got Marty out of that Shrapnel scene. They just went in two different directions. The sad thing about Hammett was that he was really starting to develop some technique in the years between Master and Justice and was studying the right things, but between the evolution of their sound and the fact that James was doing more than half of the studio soloing anyway, I think Kirk just said **** it and started hammering on his wah some more. LOL |
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09-25-2020, 01:04 PM | #250 | |
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Marty defined their sound, IMO and while Broderick was even more technically proficient than Marty, his solos were "cold" and never induced that "Wow!!!" factor that Marty's solos had for me. His work on Holy Wars is just ridiculously awesome. I felt that Kiko's playing fit the band really well on Dystopia so I'm curious to see how much his influence has changed the band, if at all, and I'm looking forward to hearing the next album, which is supposedly, a continuation of Dystopia. |
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09-25-2020, 01:08 PM | #251 |
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Give us your honest opinion on Lars Dane. Haha don't hold back please
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09-25-2020, 01:08 PM | #252 | |
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It's also the main reason why all of the songs and albums after that point, all of which were produced by Rock, didn't feature any guitar solos. Death Magnetic saw the return of guitar solos but by that time, they'd moved on from Bob. That said, it would be very strange to hear Marty Friedman or Kiko in Megadeth because they're just too technically proficient for that band, especially considering Lars can't keep time worth a damn. |
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09-25-2020, 01:10 PM | #253 | |
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In many ways, Chris is your stereotypical classically trained musician. He's very robotic, watching him play is interesting as a metalhead because he does not really seem to "feel" anything. As for Marty, he was wholly unique for his time. Incorporating eastern music, the different modes and atypical arpeggios he used. And most of all, his bends. The way he does those bends - his solo album Dragon's Kiss is, to this day, one of the best albums I've ever heard. |
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09-25-2020, 01:13 PM | #254 | |
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09-25-2020, 01:14 PM | #255 | |
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But his timing problems are very well known. I'm pretty sure I've shared this story before but Andy Johns told me way back in 1993 that Lars was so bad during the recording of the Black album that Bob spent months editing his tracks by hand (i.e., cutting tape). The timing was so bad that after the drums had been edited to be in time, Lars had to go back and re-hit all of the cymbals and hi hats because the decay had been cut out, making the cymbal hit end too abruptly. |
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