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#17 | ||||
Supporter
Join Date: Aug 2000
Casino cash: $8028275
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Honestly, I didn't even notice that this was a 'Hamas Jenkins' post until I was halfway through my response. Then my thought was '****, this guy's gonna turn into some imagined, fever-dream, personal yuppy/hippy battle for the soul of eternity. Thanks for proving me wrong. But your were wrong that 'self-professed audiophiles were participants' in any kind of definitive test. The very point is that 'they' won't take the test. For the most part, sure cables that meet a certain floor standard are fungible, and sure most of those qualities touted for exotic cables are bunkum. And I addressed normalization and SACD/DVD-A because you remarked how crowing about 'digitization' cracks you up, which leaves a good deal of ambiguity. My point was that audiophiles don't 'crow' about GOOD digitization, be it high fidelity/high bitrate mastering like DSD underlying SACD, or non-normalized/non-compressed mastering by the studio. I know you like to think of an audiophile as some hipster douchebag who doesn't know what he's listening to, but loves telling his hipster douchebag friends how expensive it was and why. But the sizeable contingent are simply music lovers, who patiently assemble a system with an eye and ear towards quality.
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We need the kind of courage that can withstand the subtle corruption of the cynics - E.W. |
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