Who is the greatest American villain?

[Rain Man]

A Charles Manson reference in another thread got me thinking about this. Who is the greatest villain in American history, the one that will draw the most ire from any right-thinking American?

Give me some options and I'll put up a poll. Nominees can come from any category: war, politics, crime, business, finance, celebrity, sports, child care, Benetton models, comic strip artists (Bil Keane, anyone?), or others. Give me your best shot.

The rules:

1. We're talking true villainy here. Villainy where you can't really defend anything the person did at a dinner party without getting winces.

2. We're talking national scale. Remember, the kicker that shall go unnamed is a hero in Indianapolis.

3. Real life only. While many may villainize Elmer Fudd for his relentless and brazen murderous stalking of Bugs Bunny, Mr. Fudd does not actually exist, and therefore any villainous acts committed by Mr. Fudd do not exist, either.

4. The villain must be an American citizen, or if their villainy took place before 1783, a resident of the area that would eventually become the United State AND acting against the United States for villainous reasons rather than sincere loyalty to another country in conflict with nascent American liberty movements or peoples and in the absence of a history of loyalty to American causes.

Once I get 20 reasonable candidates, I'll post the poll.

[Demonpenz]

mussilini

[Rasputin]

Al Capone

[Demonpenz]

Hitler

[Demonpenz]

Phil Collins

[Kylo Ren]

The list will be incomplete without Barack Obama. I'm seriouis.

[Demonpenz]

Ivan lendel

[Demonpenz]

The Clash - london calling

[Demonpenz]

Bel Biv Devoe

[Lumpy]

Originally Posted by Demonpenz

Phil Collins

[Demonpenz]

Pele

[Gonzo]

Originally Posted by Lumpy

Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.

[Demonpenz]

Genisis was a good gaming console. Sonic the hedgehog

[stevieray]

Kathy Bates

"Mr Man"

[Frazod]

Originally Posted by KC Tattoo

Al Capone

For all the evil that he did, Capone also sponsored soup kitchens that kept thousands of Chicagoans fed during the early years of the Depression. Obviously this was self-serving, as Capone did all he could to sell himself to the press as a good guy, but there is no denying that he helped many people who might otherwise have starved.

[Sweet Daddy Hate]

Originally Posted by Demonpenz

Phil Collins

Originally Posted by Gonzo

Do you like Phil Collins? I've been a big Genesis fan ever since the release of their 1980 album, Duke. Before that, I really didn't understand any of their work. Too artsy, too intellectual. It was on Duke where Phil Collins' presence became more apparent. I think Invisible Touch was the group's undisputed masterpiece. It's an epic meditation on intangibility. At the same time, it deepens and enriches the meaning of the preceding three albums. Christy, take off your robe. Listen to the brilliant ensemble playing of Banks, Collins and Rutherford. You can practically hear every nuance of every instrument. Sabrina, remove your dress. In terms of lyrical craftsmanship, the sheer songwriting, this album hits a new peak of professionalism. Sabrina, why don't you, uh, dance a little. Take the lyrics to Land of Confusion. In this song, Phil Collins addresses the problems of abusive political authority. In Too Deep is the most moving pop song of the 1980s, about monogamy and commitment. The song is extremely uplifting. Their lyrics are as positive and affirmative as anything I've heard in rock. Christy, get down on your knees so Sabrina can see your asshole. Phil Collins' solo career seems to be more commercial and therefore more satisfying, in a narrower way. Especially songs like In the Air Tonight and Against All Odds. Sabrina, don't just stare at it, eat it. But I also think Phil Collins works best within the confines of the group, than as a solo artist, and I stress the word artist. This is Sussudio, a great, great song, a personal favorite.

We got REP!